She began her dance studies in classical dance at 5 years old and concluded in 2007 the Dance Degree by Escola Superior de Dança de Lisboa (IPL). She is a teacher of contemporary dance and creative dance in different spaces and educational contexts. In 2010, she joined the Arsenale della Danza, a training center in contemporary dance at the Venice Biennial, investing on her work as an interpreter. Throughout her formation she attends juggling classes, workshops and diabolo labs.

In 2011 she co-foundended Ventos e Tempestades, in which she works as choreographer, interpreter and educator. She’s one of FIS · Festival Internacional de Solos organizers.

Of her creations, she highlights Fase dispersa with debut in Mostra Estufa (2018), Erm with debut in the FIS · Festival International de Solos (2016) and uma forma quase cilíndrica with debut in Corrente Alterna (2013). At the same time she collaborates with several artists in different projects, such as: Dame du Cirque by (2017), MESA by Ana Renata Polónia (2014), You Who Will In No Other Way by Circumstance (2013), la femme inconnue by Jean Daniel Fricker (2012), Limites by Companhia Ao Vento (2012), 30por1linha and O Homem que só pensava em números by Pedro Carvalho / Companhia Instável (2011), entre todas as coisas by Teresa Prima (2011) and Oxygen by Ismael Ivo (2010).

In the photography she finds a form of visual expression. She begins by making scene photography as, combining her taste for image and performing arts. In 2017 she attends the On the Road workshop with Nikos Economopoulos / Magnum Photos where she delves into a more personal approach to photography: Grito Imagens.

She nourishes, in parallel, the personal projects Órgão de Grafia (writing), Lota (crafts) and Nablas (sound gradients).